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In the decades since its publication, Ain't I a Woman? has been recognized for its contribution to feminist thought, with Publishers Weekly in 1992 naming it "One of the twenty most influential women's books in the last 20 years." Writing in The New York Times in 2019, Min Jin Lee said that Ain't I a Woman "remains a radical and relevant work of political theory. South End Press published her first major work, Ain't I a Woman? Black Women and Feminism, in 1981, though she had written it years earlier while still an undergraduate. In the early 1980s and 1990s, hooks taught at several post-secondary institutions, including the University of California, Santa Cruz, San Francisco State University, Yale (1985 to 1988, as assistant professor of African and Afro-American studies and English), Oberlin College (1988 to 1994, as associate professor of American literature and women's studies), and, beginning in 1994, as distinguished professor of English at City College of New York. It was kind of a gimmicky thing, but lots of feminist women were doing it.” It was: Let’s talk about the ideas behind the work, and the people matter less. She also said she put the name in lowercase letters both to honor her great-grandmother and to convey that what is most important to focus upon is her works, not her personal qualities: the "substance of books, not who I am." About the unconventional lowercasing of her pen name, hooks added that, “When the feminist movement was at its zenith in the late ‘60s and early '70s, there was a lot of moving away from the idea of the person. She had adopted her maternal great-grandmother's name as her pen name because, as she later put it, her great-grandmother "was known for her snappy and bold tongue, which I greatly admired,". During her three years there, Golemics, a Los Angeles publisher, released her first published work, a chapbook of poems titled And There We Wept (1978), written under the name "bell hooks". She began her academic career in 1976 as an English professor and senior lecturer in ethnic studies at the University of Southern California. In 1983, after several years of teaching and writing, she completed her doctorate in English at the University of California, Santa Cruz, with a dissertation on author Toni Morrison entitled "Keeping a Hold on Life: Reading Toni Morrison's Fiction". During this time, Watkins was writing her book Ain't I a Woman: Black Women and Feminism, which she began at the age of 19 (ca. She graduated from Hopkinsville High School before obtaining her BA in English from Stanford University in 1973, and her MA in English from the University of Wisconsin–Madison in 1976. In her memoir Bone Black: Memories of Girlhood (1996), Watkins would write of her "struggle to create self and identity" while growing up in "a rich magical world of southern black culture that was sometimes paradisiacal and at other times terrifying." Īn avid reader (with poets William Wordsworth, Langston Hughes, Elizabeth Barrett Browning and Gwendolyn Brooks among her favorites), Watkins was educated in racially segregated public schools, later moving to an integrated school in the late 1960s. Her father worked as a janitor and her mother worked as a maid in the homes of white families. Watkins was one of six children born to Rosa Bell Watkins ( née Oldham) and Veodis Watkins. Gloria Jean Watkins was born on September 25, 1952, in Hopkinsville, a small, segregated town in Kentucky, to a working-class African-American family. Her pen name was borrowed from her maternal great-grandmother, Bell Blair Hooks. She later taught at several institutions including Stanford University, Yale University, and The City College of New York, before joining Berea College in Berea, Kentucky, in 2004, where she founded the bell hooks Institute in 2014. Ī celebrated academic, hooks began her academic career in 1976 teaching English and ethnic studies at the University of Southern California. Her work addressed love, race, class, gender, art, history, sexuality, mass media, and feminism. She published numerous scholarly articles, appeared in documentary films, and participated in public lectures. She published around 40 books, including works that ranged from essays and poetry to children's books. The focus of hooks's writing was to explore the intersectionality of race, capitalism, gender, and what she described as their ability to produce and perpetuate systems of oppression and class domination. She is best known for her writings on race, feminism, and class. Gloria Jean Watkins (September 25, 1952 – December 15, 2021), better known by her pen name bell hooks, was an American author and social activist who was Distinguished Professor in Residence at Berea College.
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We Real Cool: Black Men and Masculinity (2004).Feminist Theory: From Margin to Center (1984).Ain't I a Woman?: Black Women and Feminism (1981).